In case you missed this one, people: “Straddling the Working Class Memoir,” an essay on what it means to be working class and represent the working class as a background in a memoir, was published in the Fall 2015 issue of Assay: A Journal of Nonfiction Studies.
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A couple months I got an email, subject line “Your Writing in Chicken Soup for the Soul: The Power of Forgiveness.” It said my writing was being considered for inclusion in an upcoming anthology. I didn’t recognize the title, but figured it might have been the thing I wrote about the flag my sister gave to me after our father’s ashes had been scattered at sea.
It was, and I liked the new title as well. And now it’s out. The Chicken Soup people sent me 10 copies of the book and a check–a check!–for $200. If only every anthology could do that for their writers.
Anyway, order your copy today!
I love songs that use the double-clap single-clap. You know, that thing? Sometimes it’s used in the whole song, other times it’s in the bridge or the intro or outro.
No matter where it is, I love it.
So I started making a Spotify list to help put them all in one spot. The Cars’ “My Best Friend’s Girl.” Hall and Oates’ “Private Eyes.” J. Geils’ “Centerfold.” The Kingsmen’s “Louie Louie.” Sometimes it’s down in the mix, other times right in the hook.
There are limitations to Spotify, of course–no Beatles or Led Zeppelin–but what I have there, with the help of record nerds and Facebook friends is pretty good. Do you know others? Help a Double Clap Single Clap brother out. And follow along as we add songs.
The annual overwhelming overload of writerly writerness, or AWP, is upon us. It’s in Boston, and I’ll be there minding a table, taking part in readings, and trying to stay sane while doing same.
Here’s a list.
Every Day: The Table-Minding. I’ll be minding the table of The College of Saint Rose MFA in Creative Writing Program.
Our table number will be G9 in the AWP bookfair. Stop by!
Wednesday, March 6, 5:30-10:30pm
Festival of Language at Dillon’s in Boston (next to the Hyne’s convention center). Three 90-minute sessions. There will be a cash and carry bar. I’m kicking off the third set at 9pm. Facebook event page.
Thursday, March 7, 7pm
Reading to celebrate Old Flame: The First Ten Years of 32 Poems. McGreevey’s, 911 Boylston Street, Boston, MA 02111. Event held in the Player’s Lounge. Facebook event page.
Friday, March 8, 12pm-1pm
Make sure you get your copy of Coming Close: Forty Essays on Philip Levine, which will be available at the University of Iowa Press tables (E1 and E2) at the AWP Bookfair. Co-editors Mari L’Esperance and Tomas Q. Morin will be signing books. I’ll be there admiring copies as well.
Saturday, March 9, 4:30pm
Hating Your Writing: A Love Story (AWP panel)
4:30pm A panel! An actual panel! During the last period on the last day!
Hating Your Writing: A Love Story (AWP panel); Room 305 in the John B. Hynes Veterans Memorial Convention Center in Boston, Massachusetts; Facebook event page; with Richard Bausch, Molly Peacock, Daniel Nester, and Adrian Matejka, and moderated by Melissa Stein.
We’ve all been through it: we write the last euphoric word of our draft, but by the next morning, somehow brilliance has plummeted to dross. Are such literary mood swings a destructive deterrent, or a natural part of the creative process? Can periods of avoidance and dejection actually lead to breakthroughs and better writing? Five award-winning poets and prose writers weigh in on the ups, downs, and ups of creative endeavor and share insights, strategies, and tools they’ve gained along the way.
Saturday, March 9
Write Bloody’s AWP All Star Super Ridiculous Super Reading!
The Community Church of Boston 565 Boylston St. (A 7-minute walk from Hynes Convention Center!) $7, $5 Students and Veterans
Never before have this many Write Bloody authors been in one geographic location. We are pulling out each and every stop to put on a live literature event to be remembered for years to come. But let’s not get nostalgic for the present JUST YET! Join your hosts Derrick Brown and Cristin O’Keefe Aptowicz for a high-stakes evening of poems, music, heartbreak, and (almost) TOO many hard-wrought good times.
Featuring: Anis Mojgani! Mindy Nettifee! Derrick Brown! Jeanann Verlee! Jon Sands! Cristin O’Keefe-Aptowicz! Buddy Wakefield! Taylor Mali! Lauren Zuniga! Laura Yes Yes! Jade Sylvan! Victor Infante! Lea Deschenes! Elaina Ellis! Jeremy Radin! Daniel McGinn! Daniel Nester! Megan Falley! Miles Walser! w/ special musical guest Gracious Calamity! & on the keyboard, Mr. Adam Falkner!
We all rapped 16 bars in my Poetry in Performance class tonight. It’s a new assignment, and since they were all nervous I wrote and performed as well. The directions were to write 16 bars, or lines, or 8 rhyming couplets, to the instrumental track of “Nuthin’ But a G Thang” by Dr. Dre and Snoop Dogg. The students all came with their rhymes and took a turn on the mike. It was evident they practiced, and they did great.
It’s a super way to learn how to compress and elongate lines of poems for performance, as well as being fearless as a performer. I am, however, kind of sick of the ‘G Thang’ groove, at least for now.
It’s my classroom so I ask your attention
Preaching mothafuckas like a Baptist convention.
Droppin’ funky lessons make the sucka teachers mumble
When I’m on the mic, sucka profs they all crumble.
Try and get close, your brain’ll get smacked
My mothafuckin knowledge cause an asthma attack.
That’s ‘cause I never slip my lesson plans,
Got a Honda-full of handouts to help the short attention spans.
My class is democratic, sporadic, Hippocratic,
Aristocratic, never bureaucratic–
Yeah, and ya’ don’t stop
I told you I’m like Rick Roll when I rock
tweed jacket elbow patches but not stodgy
Never gonna mack it with a dodgy pedagogy
Drinkin’ Bacardi like a Wall Street investor
My name is Prof. D and the last name is Nester